{"id":29617,"date":"2023-03-15T14:53:20","date_gmt":"2023-03-15T14:53:20","guid":{"rendered":"https:\/\/five-zucchini.flywheelsites.com\/?post_type=exhibits&#038;p=29617"},"modified":"2023-09-01T14:00:55","modified_gmt":"2023-09-01T18:00:55","slug":"paul-ching-bor-dramatized-propositions","status":"publish","type":"exhibits","link":"https:\/\/butlerart.com\/exhibits\/paul-ching-bor-dramatized-propositions\/","title":{"rendered":"Paul Ching-Bor: Dramatized Propositions"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Top Blue Bar &#8211; Do Not Edit&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#1a3651&#8243; custom_padding=&#8221;19px||17px|||&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-8px||-12px||false|false&#8221; custom_padding=&#8221;21px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text content_tablet=&#8221;<\/p>\n<h2 style=%22text-align: center;%22>Frequently Asked Questions<\/h2>\n<p>&#8221; content_phone=&#8221;<\/p>\n<h2 style=%22text-align: center;%22>Frequently Asked Questions<\/h2>\n<p>&#8221; content_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Lato|700||on|||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; header_text_align=&#8221;center&#8221; header_2_font=&#8221;Lato|700|||||||&#8221; header_2_text_align=&#8221;center&#8221; header_2_font_size=&#8221;20px&#8221; header_2_letter_spacing=&#8221;6px&#8221; text_orientation=&#8221;center&#8221; background_layout=&#8221;dark&#8221; custom_padding=&#8221;13px||||false|false&#8221; animation_style=&#8221;fade&#8221; animation_direction=&#8221;left&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_2_font_size_tablet=&#8221;22px&#8221; header_2_font_size_phone=&#8221;16px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; header_2_line_height_tablet=&#8221;&#8221; header_2_line_height_phone=&#8221;1.4em&#8221; header_2_line_height_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 style=\"text-align: center;\">Art<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; admin_label=&#8221;Exhibit Title and Date Pulled from Information Above &#8211; Do Not Edit&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; background_image=&#8221;https:\/\/butlerart.com\/wp-content\/uploads\/2023\/03\/BecomeaMember-scaled.jpg&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_fullwidth_header title=&#8221;@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF90aXRsZSIsInNldHRpbmdzIjp7ImJlZm9yZSI6IiIsImFmdGVyIjoiIn19@&#8221; header_scroll_down=&#8221;on&#8221; scroll_down_icon=&#8221;%%8%%&#8221; scroll_down_icon_size=&#8221;34px&#8221; _builder_version=&#8221;4.20.0&#8243; _dynamic_attributes=&#8221;title&#8221; _module_preset=&#8221;default&#8221; title_font=&#8221;Abhaya Libre||||||||&#8221; title_text_align=&#8221;center&#8221; title_font_size=&#8221;36px&#8221; content_font=&#8221;|||on|||||&#8221; content_text_align=&#8221;center&#8221; background_color=&#8221;rgba(10,6,6,0.6)&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;4%||5%||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n\n<p>[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Exhibit Information&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/butlerart.com\/wp-content\/uploads\/2023\/03\/INSOMNIOUS-LIGHTS-THE-WOOLWORTH-BUILDING-III-watercolor-on-Arches-paper-75-x-51-inches-2016-2-of-2-600&#215;888-1.jpg&#8221; alt=&#8221;INSOMNIOUS-LIGHTS-THE-WOOLWORTH-BUILDING-III-watercolor-on-Arches-paper&#8221; title_text=&#8221;INSOMNIOUS-LIGHTS-THE-WOOLWORTH-BUILDING-III-watercolor-on-Arches-paper-75-x-51-inches-2016-2-of-2-600&#215;888&#8243; align=&#8221;center&#8221; admin_label=&#8221;Place Main Exhibit Image Here&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_code admin_label=&#8221;Place Video Code Here If Applicable&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_code][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Do Not Edit&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; header_3_font=&#8221;Lato|700||on|||||&#8221; header_3_text_color=&#8221;gcid-a65cf2a6-a309-4fe8-acbd-c8892e2f73ca&#8221; header_3_letter_spacing=&#8221;5px&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; global_colors_info=&#8221;{%22gcid-a65cf2a6-a309-4fe8-acbd-c8892e2f73ca%22:%91%22header_3_text_color%22%93}&#8221;]<\/p>\n<h3>About The Art<\/h3>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Place Exhibit Description Here&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;15px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"http:\/\/www.paulchingbor.com\/\">www.paulchingbor.com<\/a><\/p>\n<p>This exhibition of 10 large scale paintings by contemporary painter,\u00a0<a href=\"https:\/\/www.facebook.com\/paul.chingbor\" target=\"_blank\" rel=\"noopener noreferrer\">Paul Ching-Bor<\/a>\u00a0reveals the artists daring exploration of watercolor, while expressing how the contrasting dark and light spirit of life in New York City has inspired him. These haunting images of buildings, bridges and tunnels are quietly intense in their bleakness. The dark and heavy surfaces interrupted by soft, streaked or radiant light, in these cityscapes demonstrate how Ching-Bor\u2019s bold and dynamic approach to watercolor defies the naturally delicate and transparent qualities of the medium.<\/p>\n<p>The art of Paul Ching-Bor makes us realize that real talent is indeed a very rare gift. This is an artist who observes the world around him and beautifully alters that world by pulling out and revealing the underlying substance of his subjects. No one can paint the city or capture its energy as remarkably as Paul Ching-Bor. The structures which define the city, its bridges and its buildings, in the hands of this extraordinary painter, possess a singular beauty. Perhaps one reason for his success is that he engages the viewer to be a part of his process by tempting us to navigate through the ethereal nature of the work, very much like that of the 19th century wizard, George Inness.<\/p>\n<p><strong>Artist Statement<\/strong><\/p>\n<p><em>As I am coming home, returning from the \u201cgood old Europe\u201d, I hear the rap music as soon as boarding the New York subway, then I realize I am once again in the zone of the \u201creal world\u201d.<\/em><\/p>\n<p><em>As I am coming home, across the Hudson River, looking back from the Path entry of Exchange Place, the sculpture of the Katyn massacre and the main building of the WTC, in a straight line, referring to each other of the opposite shores of Hudson, each of them depicting a human tragedy. It intrigues me very much:\u00a0 what is in people\u2019s mind when they have confronted such a perspective?<\/em><\/p>\n<p><em>As the water of Hudson runs down, and runs out to the open sea, I have such notion in my head:\u00a0 the character of water \u2014 what goes around, what comes around.\u00a0<\/em><\/p>\n<p><em>As the moment when I relocated to NYC, I thought this was the place, with all the people coming from deferent places of the world, though having one thing in common \u2014 they did want some kind of goal in their life time, they wanted to make it here, that was the reason they came to New York. Searching, expectant, anticipating\u2026 so much for the purpose, we didn\u2019t have such sense back home, we didn\u2019t need a purpose to go on.\u00a0 Without a purpose here, it seems no place for it.<\/em><\/p>\n<p><em>Of course, there is no place like New York, as it has been said: New York state of mind, New York state of drama, New York State of dynamic.<\/em><\/p>\n<p><em>After working with the water medium for decades, I have the parallel paradoxes in my thought; watercolor painting, work on paper, originally coming from the conventional stage of being delicate\/romantic, then confronting it\u2019s opposite environments today; and human as we are, coming from the nature of being fragile\/vulnerable, then crash into each other in this ocean of human in our time. From the practice of water medium painting, thinking of water this giving element, how it etherealizes into air; synchronizes humanity through its transforming stages; and how it carries color pigment, makes its remark on the paper\u2026 in parallel notion to human lives.<\/em><\/p>\n<h4>Bio<\/h4>\n<p>A contemporary painter whose dynamic cityscapes represent a bold new exploration of the medium, Paul Ching-Bor was born in 1963 in the southern Chinese city of Guangzhou, the capital of the province of Guangdong.\u00a0 At age twelve, he began his study of art at the Youth Arts Centre in Guangzhou.\u00a0 He remained at the school for six years while attending high school.\u00a0 He went on to study sculpture for two years at Guangzhou Fine Art University.\u00a0 He spent an additional two years at the Jing De Zhen Ceramic Institute, in the Jiangxi province, where his training consisted of courses in academic fine-art techniques.<\/p>\n<p>In 1987 Ching-Bor moved to Sydney, Australia.\u00a0\u00a0 There he focused on watercolors, portraying primarily the suburban neighborhood of Paddington, where his studio was located.\u00a0 In 1990 Ching-Bor received a scholarship sponsored by Mercedes-Benz and awarded by from the Royal Agricultural Society for the study of fine art in New York.\u00a0 In the following year he received the Overseas Study Travel Grant from the Rotary Club of Camberwell, Victoria, Australia.\u00a0 For the next four years he saved money to insure that he would be able to prolong his stay beyond the scholarship\u2019s term, and in 1996 he was able to realize a long-held desire to move to New York.\u00a0 \u201cWhen I first walked down the streets of Manhattan I was curious about the impact this strident city and the jostling crowds would have on my work,\u201d Ching-Bor recalled.\u00a0 \u201cThe structures, arches, and bridges immediately inspired me, and particularly suited my limited color palette.\u00a0 My favorite colors are black and white, and I found I was able to tackle New York subjects in a very free way that, in the early stages, suggests abstract painting.\u201d<\/p>\n<p>Indeed, the art with which Ching-Bor finds the greatest connection is that of the New York School Abstract Expressionists, especially Franz Kline.\u00a0 In the works of Kline, Robert Motherwell, Willem de Kooning, and other artists of the era, Ching-Bor found intriguing parallels with the theories of ancient Chinese scroll painters, a coalescence that has inspired his own personal blend of Eastern and Western approaches.\u00a0 In response to New York, Ching-Bor\u2019s art evolved.\u00a0 He began to work on a big scale, using the largest and heaviest papers that he could find, in the thought of no compromise to the conventional watercolor\u2019s principle. His process involves laying down the fundamental part of the painting, which is the structure of the work.\u00a0 He then proceeds to glaze and splash paint on the paper until the image disappears.\u00a0 When the work dries, \u201cthe image bounces back.\u201d \u201cThen I look at it again,\u201d says the artist, \u201cThe remains from the dematerialization become the new materialization of the work\u2026\u201d<\/p>\n<p>Through this method, Ching-Bor has reconsidered the qualities of watercolor that are often thought to be intrinsic to the medium, such as sensitivity, delicacy, and transparency.\u00a0 According to him, his images are \u201cnot so transparent, not so spontaneous in some parts, and not so \u2018watercolor\u2019 anymore.\u00a0 They are the substantial, developed face of watercolor painting.\u201d\u00a0 This approach is robust and dynamic; at the same time, the works have a quiet intensity in their melancholic and stark qualities.<\/p>\n<p>Living in New York has suited what Ching-Bor has sought to express in his art, and he found the spirit of the city manifested in many of its facets.\u00a0 \u201cWhen I look at life in New York,\u201d he observed, \u201cI see people having come from another country or state and living in Manhattan for some kind of purpose. People are not living freely; they live for the \u2018reason\u2019.\u00a0 The contrast between dark and light is so much a part of the experience of living in New York.\u201d<\/p>\n<p>Through painting urban ambiance, Ching-Bor has found a vehicle for expressing the city\u2019s intensity, loneliness, ambition, and drive.\u00a0 Lately the subject that has gripped him the most is the Queensborough Bridge at Fifty-Ninth Street and the East River, a short walk from his home and studio on East Seventy-Fifth Street and York Avenue.\u00a0 Like John Marin, who painted dynamic, sparkling watercolors of the Brooklyn Bridge that expressed the vitality of New York from the 1910s through the 1940s, Ching-Bor uses the bridge as an expressive form.\u00a0 However, for him, the bridge is less a symbolic motif than a plan or form that coalesces with his subconscious and direct responses to the city.\u00a0 The dark, heavy surfaces, pierced with soft, streaked, and glimmering light, and the vertical thrusts, countered by plunging diagonals, are diagrams of the city as much as of the human psyche. \u201cI have found my dialogue in the echoing steel structure,\u201d he says.\u00a0 \u201cThe heavy weight of the steel depicts the burden we carry.\u00a0 The intricacy of the pylons is the conflicting issues in our society.\u00a0 The haunting emotion behind the steel is phenomenal.\u201d<\/p>\n<p>Ching-Bor began his images of steel structures in late 1996.\u00a0 These works are in tune with the rhythm of this time of defiance, tension, and gritty realism.\u00a0 At the same time, they are self-referential, reflecting Ching-Bor\u2019s very personal response to his surroundings.<\/p>\n<p>Ching-Bor has participated in many exhibitions in Australia and the United States, and has been the recipient of many prizes and awards.\u00a0\u00a0 In 1999 he went to Turkey, where he created a group of works for a 2002 exhibition.\u00a0 In 2000 a solo show of his work was held at the Butler Institute in Youngstown, Ohio, and in the following year, he was invited to take part in an artist-in-residency program in Salzburg, Austria, sponsored by Neuhaus Gallery, Salzburg, and Sparkasse Bank.\u00a0 The works he produced on the sojourn were included in A New Vision of Salzburg (2001).<\/p>\n<p>Ching-Bor\u2019s works are in many private and public collections in the Australia, England, Japan, and the United States including Hilton International, Sydney; Shell Chemicals, Melbourne, Australia; Camberwell Civic Centre, Melbourne; Mobil Oil, Melbourne; Pioneer International, Sydney; the Springfield Art Museum, Missouri; Ritz-Carlton, New York; Grand Hyatt International, Tokyo; Park Hyatt, Shanghai; Sparkasse Bank, Salzburg; Myriad Hotel, New York; and the Columbia Museum of Art, South Carolina.<\/p>\n<p>Paul Ching-Bor received a 2013 Fellowship from the New Jersey State Council on the Arts.<\/p>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;gcid-a65cf2a6-a309-4fe8-acbd-c8892e2f73ca&#8221; divider_weight=&#8221;2px&#8221; admin_label=&#8221;Do Not Edit&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; width=&#8221;77%&#8221; custom_margin=&#8221;||0px||false|false&#8221; global_colors_info=&#8221;{%22gcid-a65cf2a6-a309-4fe8-acbd-c8892e2f73ca%22:%91%22color%22%93}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Do Not Edit&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;15px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>CATEGORIES:<\/strong> <\/p>\n<p><strong>DATE:<\/strong> <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Edit Location and Reception&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;15px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>LOCATION:<\/strong> Davis Gallery<\/p>\n<p><strong>RECEPTION: <\/strong>N\/A<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Gallery&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;View the Full Collection &#8211; Do Not Edit&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; header_3_font=&#8221;Abhaya Libre||||||||&#8221; header_3_text_align=&#8221;center&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; header_3_font_size=&#8221;35px&#8221; global_colors_info=&#8221;{}&#8221; global_module=&#8221;31834&#8243; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<h3>Selected Works<\/h3>\n<p>[\/et_pb_text][et_pb_gallery gallery_ids=&#8221;29620&#8243; posts_number=&#8221;10&#8243; orientation=&#8221;portrait&#8221; show_title_and_caption=&#8221;off&#8221; admin_label=&#8221;Gallery &#8211; Select All Exhibit Images Here&#8221; _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; 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