{"id":32242,"date":"2023-11-13T12:26:25","date_gmt":"2023-11-13T17:26:25","guid":{"rendered":"https:\/\/five-zucchini.flywheelsites.com\/?post_type=exhibits&p=32242"},"modified":"2023-11-13T12:30:30","modified_gmt":"2023-11-13T17:30:30","slug":"black-white-prints-from-the-permanent-collection","status":"publish","type":"exhibits","link":"https:\/\/butlerart.com\/exhibits\/black-white-prints-from-the-permanent-collection\/","title":{"rendered":"Black & White: Prints from the Permanent Collection"},"content":{"rendered":"

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Art<\/div>\n

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Charles Ephraim Burchfield (1893-1967), Crows in March, 1952, lithograph, museum purchase 1958<\/p>\n

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About The Art<\/h2>\n

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The Butler Institute of American Art takes the greatest pride in exhibiting segments of its well-known collection of American art. Through the decades the museum\u2019s print collection has grown in size and quality with virtually every well-known printmaker included. Of particular interest is the fact that so many of the prints in the collection are primarily black, with many set against a white field. It is a major collection. Another observation is that many of the most celebrated prints have been accomplished by painters who utilize the expertise of master printmakers such as Gary Lichtenstein (whose major showing is currently in the MacIntosh and Finnegan\/Hynes Galleries of the Butler), ULAE, Gemini GEL, Petersburgh Press, and other well-known master printers and print shops.<\/p>\n

This exhibition presents an interesting summary of twentieth century art since so many of the prints included are by historically important artists presenting iconic imagery. Take for example Alex Katz\u2019s Blue Umbrella. It represents Katz\u2019s typical flattening of the human form and also gradations of tones. Paul Jenkin\u2019s Post Meridian Suite easily recalls his spontaneous poured approach to paint application. The Jim Dine tool theme lithograph, Piranesi\u2019s 24 Colored Marks is a tour de force and the Jasper Johns, Souvenir I is classic Johns with the inclusion of his self-image on a circular plate. Donald Judd\u2019s hard edged industrial-like single object inspired etching, Woodcut Etchings, is a powerful example of his Minimalistic themes. The Willem De Kooning\u2019s dominate the exhibition with their wide ranging, dramatically brushed imagery that brings to mind his later painting. But these are exciting examples of Abstract Expressionism translating into print.<\/p>\n

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CATEGORIES:<\/strong> <\/p>\n

DATE:<\/strong> <\/p>\n

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Selected Works<\/h3>\n

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PLAN YOUR VISIT<\/h2>\n

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Request a Tour<\/a><\/h3>\n

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Free Parking<\/h3>\n

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Directions<\/a><\/h3>\n

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